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Rupert Neve Designs
Portico II Channel

Microphone Channel

List price: $5,219

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Description

For recording and mixing engineers, the greatest challenge will always be to capture and transform disparate 2-D elements into an engrossing 3-D vision that elicits the same raw emotions and compelling vibrance as the live performance. With the Portico II Channel, every possible attention has been paid towards producing the most accurate, sweet-sounding audio topologies, while enabling engineers with the tools they need to boldly shape or fine tune tracks to the limits of their imaginations.

The Portico II Channel was created using the high voltage topologies from the 5088 to create a channel strip with the ultimate sound quality. Comprised of a fully-featured mic preamplifier, 4-band EQ, compressor-limiter, “texture” control and level metering, the Portico II Channel includes a bevy of new features including; Variable Silk with Texture control, a fully tunable “de-esser”, multiple VCA filtering and detection options, a transient-optimized swept HPF and parallel compression blending. With its simple yet powerful topologies and extensive feature set, every element of the Portico II: Channel is geared towards empowering recording artists to realize these visions.

Texture
Continuously variable control for Silk and Silk+ modes allows the engineer to fine tune the harmonic ratio and tonality of the channel.

Post Comp
Moves the EQ after the Compressor

De-Esser
Tunable with the HMF EQ bandwidth reduction, the multi-variable De-Esser can be used to soften harsh sibilance in voices and instruments

Blend
A parallel matrix providing continuously variable control to mix compressed and uncompressed signals

FF/FB
Changes the VCA Detection from a forward feed design (fast, more accurate attack & release) to a feed back design (smoother, more musical response)

RMS / Peak
Overrides the attack setting, using a combination of peak and RMS detection set below 1ms

Side Chain Send/Return
External compressor side chain send and return on 2 x TRS jacks. The send is always active and normalled to the return (NOTE: If the send and return are connected to a patchbay, the send should be normalled or connected to the return by default, as the compressor will not trigger if the return has no signal)

Meters
Dual 16 point peak meters display compressor (not de-esser) gain reduction and output levels

High Pass Filter
Continuously variable from 20-250Hz

HPF to Side Chain
Uses the HPF in the Compressor Side Chain

Gain
Provides 66dB in 6dB steps

Trim
Continuous +/- 6dB level contro

Phase Inverts
Reverses the polarity of the signal

Phantom Power
Selectable 48V for powering microphones

DI
Discrete FET input for Hi-Z instruments

Line Input
Selectable +4 balanced input

LF EQ
+/-15dB adjustment at 35, 60, 100, and 220 Hz, independent LF engage, selectable classic bell or accelerated shelf curves

LMF EQ
+/-15dB adjustment from 70 to 1.4KHz, with a continuous "Q" from .7 to 5., engaged with the MF switch.

HMF EQ
+/-15dB adjustment from 700Hz to 14KHz, with a continuous "Q" from .7 to 5., engaged with the MF switch.

HF EQ
+/-15dB adjustment at 4.7, 6.8, 12, and 25kHz, independent HF engage, selectable classic bell or accelerated shelf curves

All EQ In
Enables all EQ Bands (Individual bands must still be engaged)

Comp In
Engages Compressor section

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